

cumbias_y_gaitas_famosas_1.zip (47.1MB)
yes my friends..this is news of the highest caliber… Soundway digs deeper than anyone!

Click here for sound samples and tracklisting to Panama Vol 2
Hopefully we’ll be getting a track or two for you enjoyment but in the mean time head over to www.soundwayrecords.com and get yourself some of these great forgottens.,,

www.generationbass.com
This is a DOPE blog with loads of cool music!
PEACE to GENERATIONBASS for the love!
CHeckA the review and DOWNLOAD link
ALSO Peep Toy’s Video all over SXSW with the DJDUS logo at the end!
TOY SELECTAH FROM AUSTIN TO MIAMI
I had to re-edit this post cus i cant figure out the youtube code, and they gave me more props on the generationbass blog!
Here’s what we got:
Tracklisting:
Larry Harlow – Hommy
01. Es Un Varón
02. El Dia De Navidad
03. Quirimbomboro
04. Interlude III
05. Mantecadito
06. El Doctor Y La Razón
07. Soy Sensacional
08. Gracia Divina
09. Cari Caridad
10. Larry Harlow – Hommy – 20 – Finale, Mírame Óyeme
Larry Harlow – Live in Quad
01. Señor Sereno – Junior González
02. Mayarí – Justo Betancourt
03. Jóvenes Del Muelle – Junior González
04. Tumba y Bongó
05. Suéltala – Junior González
06. Arsenio – Justo Betancourt
07. Descarga Final – Junior González y Justo Betancourt
Adalberto Santiago – Album Adalberto Santiago – 1981.zip (74.7MB)
The following history of FANIA is taken directly from the FANIA website.
Like many American stories, the tale of Fania comes from the boroughs and inner city barrios of New York City. In the early 60’s young Latin musicians brought the music from their homelands into the Great Apple and thus began a great period of musical reinvention and free cooperation amongst the melting pot of cultures living in the city.
During that time of cultural change, musical life in New York was exciting and unpredictable. One could visit Greenwich Village and listen to the topical folk of Bob Dylan, or take that A train to Harlem and watch James Brown shred his R&B all over the Apollo Theater. Fania would evolve, out of this diverse and dynamic mix of ideas, into one of the most influential and beloved Latin musical institutions of our times.
The new sounds coming from Spanish Harlem and the Bronx were sometimes rough and dangerous but always real and immediate, like the New York streets that inspired them. Along the way, Fania artists mixed a cornucopia of styles that transcended the boundaries of traditional Latin music and set the path for the genres of salsa, boogalu, Latin R&B, and afro-Cuban jazz.